The setup and the execution of the electroacoustic part of this work requires a Computer Music Designer (Max expert).

Version Information

Performance date
June 7, 2019
Documentation date
September 6, 2019
Version
Twist Philar Paris
Status
valid
Validation date
June 3, 2020
Documentalist
Robin Meier (Robin.Meier@ircam.fr)
Realisation
  • Franck Bedrossian (Composer)
  • Robin Meier (Computer Music Designer)
  • Clément Cerles (Sound engineer)
Length
11 min

No other versions

Detailed Staff

3 flutes, 3 clarinets, 3 bassoons, 4 saxophones, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, 3 percussionists, piano, electronic/MIDI keyboard/synthesizer, accordion, electric guitar

Detailed staff comes from Brahms, send mail to ressources-contenus@ircam.fr for correction.

Electronic Equipment List

Computer Music Equipment

1 BCF 2000
MIDI Mixer (Behringer)
1 Footswitch / Sustain Pedal
Footswitch / Sustain Pedal (generic) - to triggger the cues (for the conductor or the keyboard player)
1 Live
Music Software (Ableton) - v.9.1
1 Max 7
Max (Cycling74)
1 Altiverb
Audio Plugin (AudioEase) - v.7

Audio Equipment

1 ear-monitor
Headphones (generic) - click track for the conductor

Downloads

documentation twist bedrossia

robin meier

2.91 Mo

click track files for conductor

robin meier

64.75 Mo

sound files

robin meier

189.98 Mo

SCORE with pedal cues

robin meier

71.74 Mo

ableton session + max patch

robin meier

3.37 Go


Instructions

Intro

This was run on live 9.1 and max 7 (64bit)

although untested I see no reason why it shoudn’t run on live 10 with max 8.

the conductor needs headphones for the clicktrack

pedal triggers are usually done by the fender rhodes + conductor. this has to be negotiated with the musicians…

Installation

copy twist-bedrossian-2016

install altiverb 7

add twist-bedrossian-2016 to max searchpath

Setup + Performance

Max Patch, Ableton Live Session and soundfiles are at 48kHz

open twist-101-PHILARParis-MAIN with outputs on the console muted

trigger the scene called allOFF tu mute all effects and outputs

in live preferences activate midi input for max1 and max 2 and output 1 and 2 also

activate remote midi for input max 1 and 2

activate audio units

make sure live uses max7 64b

switch all bcf faders to channel 16

fader 16/1 is for realtime (aux)

16/2 soundfiles (aux)

16/8 master

open twist-remote.maxpat in MAX 7

in the twist-remote subpatcher, make sure that midiout is set to “from Max 1” so it is received by ableton.

each event sends out a specific midi note number that is (midi-)mapped in live to a the corresponding scene

use escape key to reset everything

use arrow keys to prepare next event

use spacebar to trigger next event

activate pedal when performing

attention: pedal must arrive on different channel from “from max” otherwise it triggers ableton scenes

first event has 4 beat count-off in the clicktrack, before playing the first soundfile


Updated at

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