Remerciements

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Developing a non-visual output device for musical performers - Homei Miyashita

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Tying semantic labels to computational descriptors of similar timbres - Rosemary A. Fitzgerald, Adam T. Lindsay

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Physical modeling of impacts : theory and experiments on contact time and spectral centroid - David Rocchesso

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Understanding expressive transformations in saxophone jazz performances using inductive machine learning - Amaury Hazan

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Composing in the flesh : perceptually-informed harmonic syntax - Sean Ferguson

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On onsets on-the-fly :real-time event segmentation and categorisation as a compositional effect - Nicolas Collins

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Etheraction : playing a musical piece using graphical interfaces - Jean-Michel Couturier

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Improvising computer music : an approach - Leonello Tarabella

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Strategies for continuous pitch and amplitude tracking in realtime inter-active improvisation software - Christopher Dobrian

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Interactively determined generative sound design for sensate environments - Kirsty Beilharz

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Remerciements - Gérard Assayag

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Three-dimensional gestural controller based on eyecon motion capture - Bertrand Merlier

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Pattern anchoring, identity and signatures in sound, time and space - Noel Zahler, Ozgur Izmirli

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A real-time beat tracker for unrestricted audio signals - Nicolas Scaringella

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Expressiveness detection of musical performances in the kinematics energy space - Luca Mion

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Physical modeling for pure data (PMPD) and real-time interaction with an audio synthesis - Cyrille Henry

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Remerciements

From the same archive

Expressive gestural control of sound and visual output in multimodal inter-active systems - Gualtiero Volpe

undefined 19 min

Gestural control of singing voice, a musical instrument - Loïc Kessous

undefined 18 min

Developing a non-visual output device for musical performers - Homei Miyashita

undefined 16 min

Intro

undefined 00 min

Intro

undefined 00 min

Tying semantic labels to computational descriptors of similar timbres - Rosemary A. Fitzgerald, Adam T. Lindsay

undefined 19 min

Intro

undefined 00 min

Physical modeling of impacts : theory and experiments on contact time and spectral centroid - David Rocchesso

undefined 16 min

Intro

undefined 00 min

Understanding expressive transformations in saxophone jazz performances using inductive machine learning - Amaury Hazan

undefined 15 min

Composing in the flesh : perceptually-informed harmonic syntax - Sean Ferguson

undefined 25 min

On onsets on-the-fly :real-time event segmentation and categorisation as a compositional effect - Nicolas Collins

undefined 22 min

Etheraction : playing a musical piece using graphical interfaces - Jean-Michel Couturier

undefined 22 min

Improvising computer music : an approach - Leonello Tarabella

undefined 18 min

Strategies for continuous pitch and amplitude tracking in realtime inter-active improvisation software - Christopher Dobrian

undefined 23 min

Interactively determined generative sound design for sensate environments - Kirsty Beilharz

undefined 27 min

Intro

undefined 00 min

Remerciements - Gérard Assayag

undefined 00 min

Three-dimensional gestural controller based on eyecon motion capture - Bertrand Merlier

undefined 18 min

Pattern anchoring, identity and signatures in sound, time and space - Noel Zahler, Ozgur Izmirli

undefined 22 min

A real-time beat tracker for unrestricted audio signals - Nicolas Scaringella

undefined 21 min

Expressiveness detection of musical performances in the kinematics energy space - Luca Mion

undefined 19 min

Physical modeling for pure data (PMPD) and real-time interaction with an audio synthesis - Cyrille Henry

undefined 18 min

information

event: Troisième journée
Type: Conférence scientifique et/ou technique
performance location: Ircam, Espace de projection (Paris)
duration: 05 min

IRCAM

1, place Igor-Stravinsky
75004 Paris
+33 1 44 78 48 43

opening times

Monday through Friday 9:30am-7pm
Closed Saturday and Sunday

subway access

Hôtel de Ville, Rambuteau, Châtelet, Les Halles

Institut de Recherche et de Coordination Acoustique/Musique