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In this short presentation, we will introduce the latest software developments from the EAC Research Team (Acoustics & Cognition).
In particular, we will introduce the latest releases of the Spat5 package for Max, and the Panoramix standalone workstation.
These releases include a number of new features, bug fixes, and other improvements.
These improvements concern all aspects of the toolbox: GUI objects, DSP components, command line tools, documentation and tutorials.
Runtime code generation for efficiently evaluating the EaganMatrix. Advanced sound engines with complex synthesis algorithms require low-latency sample generation to keep up with real-time synthesis. Microprocessors such as Analog Devices’
March 27, 2025
What if we could stream immersive virtual events in which audio objects coincide spatially with displayed visuals, or music and soundtracks amenable to artifact-free instrument or language substitution, or to spectator 6-DoF navigation? We
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This presentation looks back on more than four years of experience in composition, performance, research, analysis and teaching with the Karlax digital musical instrument (DMI). The Karlax is a two-handed interface whose main sensors are te
March 27, 2025
GranShaper project introduces a new method of sound synthesis, combining the principles of granular synthesis and waveshaping, together creating a range of synergistic effects, likely previously unknown. In particular, these include a ‘gran
March 27, 2025
Rodrigo Cadiz presents a device that implements a ring modulator intended to recreate historical analog audio. Drawing inspiration from historical realizations of ring modulation, he experimented with the most common methods described in th
March 27, 2025
This presentation introduces « bellplay~ », an open-source software and framework for offline algorithmic audio, developed in Max/MSP within the bach ecosystem. bellplay~ allows users to manipulate audio using scripts written in the bell pr
March 27, 2025
*Unknowable Certainty* is an immersive audiovisual performance showing the experience of being caught in the past–searching for a numerical value that might explain the moments leading up to a present confrontation with the “end”–as if to b
March 27, 2025
*rosebud* exemplifies an approach to hybrid composition methodologies. As a transdisciplinary composition between dance and music for dancer, sensors and live-electronics, existing as both a live performance and a video clip, it navigates b
March 27, 2025
*Public Intimacy* is a motion- and site-specific sonic experience that reimagines the relationship between sound, space, and human presence through binaural techniques. *Public Intimacy* explores how collective intimacies emerge within publ
March 27, 2025
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