33 results

Atelier: Outils pour l'analyse de la musique Ă©lectroacoustique

JournĂ©es d’Informatique Musicale (JIM 2013, 2013, Saint Denis, France.

Article

INTERPRETATION AND COMPUTER ASSISTANCE IN JOHN CAGE'S CONCERT FOR PIANO AND ORCHESTRA (1957-58)

7 th Sound and Music Computing Conferenc SMC 2010, Jul 2010, Barcelona, Spain.

Article

Profile libreria per il controllo del profilo melodico

Colloquio di Informatica Musicale (XI CIM), Nov 1995, Bologne, Italy. pp.237-238.

Article

Spectrogram Inpainting for Interactive Generation of Instrument Sounds

Proceedings of the 2020 Joint Conference on AI Music Creativity, Jul 2020, Stockholm, Norway.

Article

John Cage's Number Pieces, a geometric interpretation of "time brackets" notation

International Symposium on Computer Music Multidisciplinary Research, CMMR 2019, Marseille, France,, Oct 2019, Marseille, France.

Article

Le “BSTD” – Une reprĂ©sentation graphique de la brillance et de l’écart type spectral, comme possible reprĂ©sentation de l’évolution du timbre sonore

L’analyse musicale aujourd’hui,

Article

A COMPUTER AIDED INTERPRETATION INTERFACE FOR JOHN CAGE'S NUMBER PIECE TWO

JournĂ©es d’Informatique Musicale (JIM 2012),, 2012, Mons, Belgium.

Article

Journal of New Music Research Real-Time Uses of Low Level Sound Descriptors as Event Detection Functions

Journal of New Music Research, 2011, 40 (3), pp.217-223.

Article

In Vitro

Journées d'Informatique Musicale, Jun 2001, Bourges, France.

Article

Chaires Franco-BrĂ©siliennes dans l’Etat de SĂŁo Paulo Accueil du Prof. Mikhail Malt (RepMus-IRCAM) au sein du NICS UNICAMP du 13 AoĂ»t au 11 Octobre 2018 - Rapport d’ActivitĂ©s

Article

Actes des Journées d'informatique musicale 2017

Article

La représentation dans le cadre de la composition et de la musicologie assistées par ordinateur & Parcours de recherche et création

Article

Somax2 – A Distributed Co-Creative System for Human-Machine Co-Improvisation

Proceedings of the Second International Conference on Hybrid Human-Artificial Intelligence, Jun 2023, Munich, Germany.

Article

Un modÚle empirique pour la détermination d'un coefficient de transition pour les accords

Ve JournĂ©es d’informatique Musicale, La Londe-les-Maures, France, 1998, La Londe-les-Maures, France.

Article

The Application of Somax2 in the Live-Electronics Design of Roberto VictĂłrio's Chronos IIIc

Musica Hodie, 2024, 24,

Article

A COMPUTER AIDED INTERPRETATION INTERFACE FOR JOHN CAGE'S NUMBER PIECE TWO 5

Journées d'Informatique Musicale, 2012, Mons, France.

Article

A CAP for graphic scores Graphic notation and performance

Tenor 2017 - International Conference on Technologies for Music Notation and Representation, May 2017, La Coruña, Spain.

Article

Gestural Research at IRCAM

JIM: Journées d'informatique musicale, May 1998, La Londe-les-Maures, France.

Article

Quelques propriétés des représentations, le cas de la notation Musicale

Revista do ConservatĂłrio de MĂșsica da UFPel, 2010, Revista do ConservatĂłrio de MĂșsica da UFPel, Pelotas, Rio Grande do Sul, BrĂ©sil, 3, pp.1-26.

Article

π 3.99 (Chaos, et Composition Musicale)

Journées d'Informatique Musicale, May 1996, ßle de Tatihou, France.

Article

Eliane Radigue, la quĂȘte du son Ă  l’aube de l’écoute...

Article

Geometric Notation for Time-Bracket works, application and performance : The case of John Cage’s Music for___

International Conference on Technologies for Music Notation and Representation 2021 (TENOR 2021), May 2021, Hambourg, Germany. pp.114-119.

Article

Machine-man Co-improvisation: Incursion of Djazz in Flamenco

SOMOS, The Second Symposium of the ICTM Study Group on Sound, Movement, and the Sciences, Oct 2022, Barcelone, France. 2022.

Article

Une proposition pour l’analyse des musiques Ă©lectroacoustiques de Xenakis Ă  partir de l’utilisation de descripteurs audio

Iannis Xenakis, La musique Ă©lectroacoustique,

Article

Open Form and Two Combinatorial Musical Models: The Cases of Domaines and Duel

3rd International Conference on Mathematics and Computation in Music (MCM 2011), Jun 2011, Paris, France. pp.255-269,

Article

La composition assistée par ordinateur, modÚles et calcul, quelques éléments de réflexion

Le calcul de la musique,

Article

Game Theory and formal structure in Xenakis’s Duel (1959)1

Meta – Xenakis Global Symposium 2022, 2022, Rouen (FR), France.

Article

GEOMETRIC-BASED EXTENSIONS TO THE TIME-BRACKETS NOTATION, JOHN CAGE AND BEYOND


Journées d'informatique Musicale 2020, MISHA - Université de Strasbourg, Oct 2020, Strasbourg (100% virtuel), France.

Article

PEUT-ON APPRENDRE OPENMUSIC EN 3 JOURS ?

Journées d'Informatique Musicale 2011 - Saint Etienne, 2011, Saint Etienne, France.

Article

Zsa.Descriptors: a library for real-time descriptors analysis

5th Sound and Music Computing Conference, Berlin, Germany, Jul 2008, Berlin, Germany. pp.134-137.

Article

Somax 2 a Reactive Multi-Agent Environment for Co-Improvisation

SMC 2022 - Sound Music & Computing, Jun 2022, Saint-Étienne, France. Proceedings of the 19th Sound and Music Computing Conference, 2022.

Article

15. Game Theory and Formal Structure in Iannis Xenakis’s Duel (1959)

New Perspectives on Iannis Xenakis’s Life, Work, and Legacies, 1,

Article

32. Somax2 and Reinterpreting Iannis Xenakis

Meta-Xenakis, 1,

Article

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