Often it may seem that electroacoustic music provides fewer resources and less evidence for musicologists to work on when investigating creative processes. Electroacoustic works are produced in the studio, often composed directly onto disc
9 octobre 2015 26 min
Sustainability, a computer music work’s chance of surviving far into the future, even if the composer and the performer at the première are no longer supporting the work and the implementation technology has long become obsolete and/or una
9 octobre 2015 30 min
1. Introduction L’analyse des processus de création musicale ne cesse d’élargir son domaine d’action vers les musiques faisant appel aux moyens électroniques et informatiques. Les contributions récentes sont nombreuses, notamment dans
9 octobre 2015 27 min
The musical composition process has been studied so far mostly from an individual perspective (e.g. Donin07). Alternatively some studies have addressed the issue of collaborative composition (Donin06). In this study, we are interested in a
9 octobre 2015 31 min
In an autonomous field such as that of contemporary music, or new music as it is commonly called in the American context, it is the creators themselves who are called on to evaluate the work of their peers. This evaluative work is familiar
9 octobre 2015 29 min
La dimension créative de l'interprétation musicale constitue l'un des postulats fondateurs des performance studies : constater la variété des interprétations d'une même œuvre, y mettre de l'ordre, considérer ce qu'elles signifient et
9 octobre 2015 27 min
Since the beginning of recording, there have been debates about the balance of and interaction between the technological and artistic processes at play in the recording studio. It would seem that in classical music, recording has not achiev
9 octobre 2015 30 min
En psychologie cognitive, plusieurs recherches auprès de musiciens experts ont permis de définir ce qui constitue des répétitions efficaces (Parncuttt and McPherson, 2002; Jørgensen and Lehmann 1997), d’identifier le rôle de l'expressi
9 octobre 2015 28 min
This paper presents some key results from a doctoral study undertaken by the author into elite performers’ decision making. Professional concert soloists spend many hours developing and refining their performances via a complex process of d
9 octobre 2015 27 min
It has been well argued that ‘the score’ underdetermines performance in significant ways, leaving room for unique performance outcomes (Cook 2004, Clarke 2012), the products of which underpin the current classical music economy. The attribu
9 octobre 2015 33 min
Following a cross-disciplinary approach, we will explore two different musical improvisation cultures, one issuing from the jazz tradition in the United States, the other from Northern Indian classical named Hindustani music. At the crossro
9 octobre 2015 28 min
When playing an acoustic instrument, the musician applies force from his body to the instrument’s exciter, which is amplified by the resonator. Except for vocal music and electronic music, the hands of the musician are the main vectors of s
9 octobre 2015 31 min
Since the digitization of the realization tapes of Karlheinz Stockhausen’s Gesang der Jünglinge (Stockhausen, 1955-56) and their availability for research from 2012 it has been possible to gain new insights into the creative process of the
9 octobre 2015 30 min
Simha Arom and Susanne Fürniss (1992) assert that Aka polyphony is fundamentally pentatonic, yet does not operate under any sense of absolute pitch or fixed interval size. Their groundbreaking study of this phenomenon documents various ins
9 octobre 2015 23 min
The goal of this practice-led research is to apply concepts drawn from ecological psychology, namely affordance and effectivity (J. Gibson, 1979), and also the hallmarks of human behaviour (E. Gibson and Pick, 2003), to the author’s composi
9 octobre 2015 28 min
The exchange of ideas and sounds generated from combining Chartwell Dutiro’s mbira music from the Shona tradition of Zimbabwe with a classically trained string quartet results in a creative practice that defines its boundaries through the a
9 octobre 2015 29 min
Bien que la musique d’avant-garde après la Deuxième guerre mondiale ait plus que jamais valorisé la figure de l’« auteur » (le compositeur) au détriment de ses médiations (commanditaires, interprètes, exégètes, etc.), certaines figu
9 octobre 2015 29 min
The study of collaboration between performers and composers is a flourishing area of research, but an aspect of creative work that remains unexplored is contemporary compositions that employ period instruments. These projects add another di
9 octobre 2015 28 min
Serious art music may seem to have lost its relational aspect and to be veering off into modernist oblivion lost in the noise of exponential technological development. Whether or not this is fanciful, there’s no doubt there are challenges —
9 octobre 2015 21 min
The music of Flemish composer Cipriano de Rore (1515/6-1565) was eagerly sought by patrons and printers alike. One of the most coveted of his compositions was the monumental setting of the eleven-stanza canzona in honor of the Virgin Mary b
9 octobre 2015 26 min
9 octobre 2015 01 h 10 min
Prologue Aldous Huxley wrote Brave New World in 1931—the same year that Stravinsky began composing his Duo Concertant. Huxley quoted from The Tempest and other Shakespearean plays in his New World, whereas Stravinsky in his Duo quoted from
9 octobre 2015 27 min
The paper gives an overview of several of the surviving live and studio recordings of the song Fire, as performed by the Jimi Hendrix Experience between 1967 and 1969. The pivotal points consist in two versions of the song dating to January
9 octobre 2015 25 min
Entre 1903 et 1904, le compositeur Déodat de Séverac (1872-1921) écrit une suite pour piano intitulée En Languedoc, dans laquelle un ensemble de procédés compositionnels relevant de ce qu'on peut nommer une "écriture imrpovisatrice"
9 octobre 2015 25 min
La dialectique, bien connue dans la critique génétique, entre la reproduction de modèles pré- composés et la transgression de ces modèles est un angle d’approche qui permet de se demander comment un compositeur produit une œuvre origi
9 octobre 2015 30 min
La dialectique, bien connue dans la critique génétique, entre la reproduction de modèles pré- composés et la transgression de ces modèles est un angle d’approche qui permet de se demander comment un compositeur produit une œuvre origi
9 octobre 2015 30 min
Communément appelés par les journalistes sportifs à « laisser parler [leur] créativité » (Natation Magazine, n° 93, 2008), les entraîneures et le musicien de l’équipe de France sont en réalité contraints à composer avec ce qu’ils
9 octobre 2015 29 min
Communément appelés par les journalistes sportifs à « laisser parler [leur] créativité » (Natation Magazine, n° 93, 2008), les entraîneures et le musicien de l’équipe de France sont en réalité contraints à composer avec ce qu’ils
9 octobre 2015 29 min
Dans le champ des musiques actuelles et de la chanson, coexistent deux types de supports : le disque (ou version phonographique) et le concert (ou version scénique). Si ces supports cohabitent, leur statut ontologique ainsi que leur proces
9 octobre 2015 19 min
Dans le champ des musiques actuelles et de la chanson, coexistent deux types de supports : le disque (ou version phonographique) et le concert (ou version scénique). Si ces supports cohabitent, leur statut ontologique ainsi que leur proces
9 octobre 2015 19 min
Collaboration has been a constant feature of electroacoustic music, due to the complexity of the technology. Since the beginning, all laboratories and electronic music studios have involved the presence of different individuals with diverse
9 octobre 2015 24 min
Collaboration has been a constant feature of electroacoustic music, due to the complexity of the technology. Since the beginning, all laboratories and electronic music studios have involved the presence of different individuals with diverse
9 octobre 2015 24 min
Bien que la musique d’avant-garde après la Deuxième guerre mondiale ait plus que jamais valorisé la figure de l’« auteur » (le compositeur) au détriment de ses médiations (commanditaires, interprètes, exégètes, etc.), certaines figu
9 octobre 2015 29 min
9 octobre 2015 25 min
This paper aims at deepening the relationship between digital technology from the one side and compositional thought and techniques from the other, focusing on Marco Stroppa’s music of the late 1980s and early 1990s. This relationship will
9 octobre 2015 28 min
Friedemann Sallis’ Music Sketches (2015) is the first comprehensive overview of sketch studies research. For all its impact on musicology since its rise in the 1970s, this field has only rarely been considered critically, e.g. Thomas M. Whe
9 octobre 2015 01 h 10 min
9 octobre 2015 01 h 36 min
From 2004 to 2015 two research centres funded by the (UK) Arts and Humanities Research Council – which represented successive stages of the same project – provided a focus for research in musical performance. Whereas the first (the AHRC Res
10 octobre 2015 55 min
The French literary criticism movement, critique génétique, is an attractive interdisciplinary model for the study of music sketches because of its staggering amount of varied scholarship published during its forty-year history, its conce
10 octobre 2015 32 min
This paper will present the core role of improvisation groups in the late Sixties / beginning of the Seventies in the process of building the new status of music material in the post-serial context. Analysing some “Gruppo di Improvvisazione
10 octobre 2015 33 min
In previous conference presentations and writings I have discussed Henry Brant’s process of “prose-report composition,” which became his primary working method in 1945. The process, which is heavily documented in his sketch manuscripts at t
10 octobre 2015 27 min
My paper centers on the compositional manuscripts of Dmitri Shostakovich (1906-75), the Soviet Union’s leading composer of art music. Opening a window onto the composer’s creativity, fragmentary passages, rejected movements, revised manuscr
10 octobre 2015 29 min
In recent years, the increased availability of recorded music in the instrumental teaching studio as part of performers’ routine for familiarising themselves with musical works they will then go on to perform, has meant that performers are
10 octobre 2015 30 min
The paper is an attempt for reconstruction of coding (creative) and decoding (reading) process, both dependent on temporary collective imaginative patterns, which funded the historic-ontological status of two significant works of the Czech
10 octobre 2015 26 min
When Adorno characterized the introductory measures of “Entrueckung” in Schoenberg’s Second String Quarter as something “never yet heard,” he pointed to a caesura that was both a breakthrough and also a rupture in the history of music. A de
10 octobre 2015 28 min
The present conference aims to study the creative trajectory of the Brazilian contemporary opera confection and also how the creation networks of opera work, within a communicational and semiotical approach. It also aims to explore the ind
10 octobre 2015 26 min
This paper theorizes and investigates the role of new music festivals, currently among the leading institutional impulses for the creation of contemporary art music. During the last few decades those festivals have gained increasing promine
10 octobre 2015 30 min
Charles Ives began formulating literary and musical ideas that would evolve into Concord Sonata as early as 1902. The piece was first published in 1921, and significantly revised to the point of being “re-written” in 1947. Throughout those
10 octobre 2015 30 min
In his book The Economics of Creativity: Art and Achievement under Uncertainty (2014), the distinguished sociologist Pierre-Michel Menger offers an analysis of artistic creativity that seeks a middle path between two equally unsatisfactory
10 octobre 2015 01 h 13 min
In my presentation I will elucidate the interplay of several forms of knowledge in composing process in art music. As a general term, “knowledge” includes forms of explicit, propositional knowledge as well as several forms of implicit, embo
10 octobre 2015 23 min
Faced to a more and more digitalized world the interest in artists manuscripts is still growing. Sometimes it is the mystic rising of an idea and its often unexpected development, sometimes it is a surprising simple reason that can be seen
10 octobre 2015 26 min
New things are made with old things. In this sense, all creation is basically a combinatorial process – though not just that. It also implies novelty; but novelty comes into play in a dynamic space between random indeterminacy and routine r
10 octobre 2015 36 min
The concept of "mistake" is antithetical to jazz's spirit of uninhibited creativity. But jazz, like any musical style, conforms to a system of rules and conventions; indeed, this is what defines the style—what makes it sound like jazz and n
10 octobre 2015 26 min
In jazz research and performance practice, emphasis has long been awarded to musicians who exhibit virtuosity or mastery of solo improvisation. Whether Louis Armstrong’s assertive solo cadenza on West End Blues or John Coltrane’s blazing ac
10 octobre 2015 24 min
Since sociology has been historically concerned with the question of how social order is possible, its main focus has been on exploring (the imposition of) conventions, rules, norms, every day routines, etc. As a result, the study of creati
10 octobre 2015 29 min
This paper presents the results of a genetic study of Antagonisme, a chamber work composed by Xavier Darasse on a text by the philosopher Alain Badiou for the 1965 concours de composition at the Conservatoire de Paris. Darasse and Badiou be
10 octobre 2015 26 min
Vers le milieu des années 1980 à l’IRCAM, le compositeur français Marc-André Dalbavie a pris conscience de l’importance de l’espace dans l’existence du son, notamment à travers son contact avec l’acousticien Jean-Marie Adrien. À parti
10 octobre 2015 32 min
From 2004 to 2015 two research centres funded by the (UK) Arts and Humanities Research Council – which represented successive stages of the same project – provided a focus for research in musical performance. Whereas the first (the AHRC Res
10 octobre 2015 55 min
From their compositional and philosophical perspectives, the works of Elliott Carter and Luigi Nono share very little in common. Carter, a true American modernist, strongly opposed the method of twelve-tone music, which was becoming prevale
10 octobre 2015 27 min
The question of whether Henri Dutilleux was a pro- or anti-serialist can be difficult to answer. However, in the 1960s, the composer evidently participated in the serial movement when he composed his two seminal works called Métaboles and
10 octobre 2015 26 min
Traditional music in southern Vietnam does not sit idly on the sidelines of cosmopolitanism, globalization, and modernity. Musicians travel from Long Xuyên to Hồ Chí Minh City and then fly to Bangkok, Dubai, and Seattle, interacting with a
8 octobre 2015 27 min
8 octobre 2015 33 min
In the rich landscape of studies about performance as a creative process, the investigation of such preliminary phases that go before the performance itself (i.e. the study process or the rehearsal practice) presented themselves like a more
8 octobre 2015 30 min
Most research on the creative process of Anton Webern’s music has focused on the sketches, thus emphasizing the compositional process in the narrower sense. Less attention has been paid to the fact that especially for most of the works comp
8 octobre 2015 31 min
The analysis of creative process in music through written sources intertwines often with hermeneutics [Kinderman 2009], in a way not dissimilar from philological studies, whose basic purpose ―although many attempts to delimit or to unbind i
8 octobre 2015 28 min
The paper aims to gain fresh perspectives and to challenge standard thinking on Ligeti’s appropriation of Romanian folk music, drawing on very recent findings at the Sacher archives. By absorbing Romanian folk music in various ways during t
8 octobre 2015 24 min
The researcher who desires to reconstruct the genesis of a particular work of Beethoven often bumps into the problem of the lack of correspondent sketches or drafts. Several examples – such as the op. 27, no. 2 piano sonata (first and secon
8 octobre 2015 30 min
Le design sonore est un champ du design relativement récent qui consiste principalement à prendre en compte la dimension sonore d’un objet au cours de son processus de conception – le terme objet pouvant être pris au sens d’objet tangibl
8 octobre 2015 29 min
8 octobre 2015 14 min
8 octobre 2015 29 min
Simultaneous translation: Marie-Louise Diomède
8 octobre 2015 28 min
Dans cette communication, je me propose de croiser deux problématiques, celle des relations compositeur-interprète dans le processus compositionnel, relations dans lesquelles le positionnement de Xenakis s’avère assez particulier par rappor
8 octobre 2015 28 min
Exformation Trilogy est un cycle de trois pièces mixtes que le compositeur suédois Jesper Nordin projette de composer entre 2014 et 2017 en utilisant Gestrument, une interface de contrôle gestuel qu’il a lui-même développée. Sculpting the A
8 octobre 2015 33 min
Simultaneous translation: Marie-Louise Diomède
8 octobre 2015 14 min
This paper examines works for piano and electronics that use technology to expand and subvert the body and pianistic technique of the pianist. It draws upon the fledgling research field of auto-ethnographic examination of composer-performer
8 octobre 2015 28 min
In the last decades, sketch studies and musical philology have been expanding their object of study to include non-conventional notation and alternative supports for the diffusion of the work of art, such as tapes or pieces of code (e. g. H
8 octobre 2015 25 min
In traditional First Nations musical expression, the formal structures of music often hold both spiritual and political meanings beyond the songs themselves. As frameworks for composition most often referred to as “song making” these forms
8 octobre 2015 29 min
8 octobre 2015 01 h 48 min
One landmark in the reception history of Beethoven’s Ninth Symphony is Thomas Mann’s novel Doktor Faustus, in which Mann places his fictional composer Adrian Leverkühn into the role of the Faustian figure. Leverkühn’s culminating work is
8 octobre 2015 29 min
On the occasion of the publication of "L’orchestre au travail. Interactions, négociations, coopérations" (Ravet, 2015) which is based on the observation of several conductors and several ensembles in the process of constructing a musical pe
8 octobre 2015 01 h 49 min
8 octobre 2015 01 h 12 min
Traduction simultanée : Marie-Louise Diomède
8 octobre 2015 01 h 12 min
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